Lake Atitlan, Panajachel, Guatemala

Sunday, May 23, 2010

How I Got Published after Giving up on the Dream

I posted about this once before here, but I thought I'd go into more detail on how I happened to publish a book that would never have gotten picked up by an agent, never gotten a publishing deal and in fact was rejected numerous times as being "too short," "too personal," and "not marketable." Even WiDo Publishing's distributor didn't want it, saying, "I can't sell books like that. I had one similar to it. The author promoted, did signings and everything, but he barely sold 1000 copies. So thanks but no thanks."

Truthfully, I had given up on ever being published. What I like to write, and what I like to read aren't generally the kinds of books being published in today's climate. (why I read mostly classics) I just got lucky with Farm Girl.. And since then, I've been looking really hard to find other unlikely books that snuck through the cracks to somehow see the light of publication. Eat, Pray, Love by Elizabeth Gilbert is one of them. What an amazing surprise hit that was! Who would have thought that a book written by a depressed divorcee heading off to find spiritual healing through eating pasta and washing floors at an ashram would become a bestseller?

At first, I didn't intend Farm Girl to be published. I planned on putting together a little printed booklet of my mom's stories to surprise her on her 90th birthday, and to pass out to family members. Until it came together and I saw the possibilities. That's when I submitted it to several small and regional presses, thinking they might be interested. No dice. But then, through a series of (fortunate) events, an investor saw it and wanted to launch a publishing company with this unlikely little book as the first release. And since my family members had been involved in the editing and design, he wanted them on board as editors and as the typesetting/design team. I got sucked in later on and now work as an editor for WiDo Publishing.

Now I'd love to tell a rags to riches story here about how Farm Girl went from being the book nobody wanted to publish to the book that everybody wanted to read. Hahahahahhahahahhaha *laughing hysterically* That's not what happened. Although I always hold out hope lol!! And there were people who read it who said, "You can sell a million copies of this book!" (What were they smoking? Nothing, they were little old ladies who read it and loved it. Not a huge book-buying demographic. Oh, and one 12 year-old fantasy-loving girl who couldn't believe she liked it so much.)

Farm Girl sold well beyond 1000 copies and still sells. It has something that appeals to readers of all ages. It touches the heart. But it would never have gotten an agent or a publisher through traditional means. It still wouldn't snag an agent, if that's what I wanted, because sales aren't remarkable. But the publisher wasn't expecting a bestseller. He wanted it as a first release and as learning tool. He also wanted everyone involved to be on board with future releases.  WiDo remains a very small company, with only 4 books out, two of them mine, and several more planned for release this year, with another half dozen in editing. The investor is very cautious and careful and picky.

No, Farm Girl isn't the big seller an author dreams of, but I felt vindicated after all those initial rejections when the first review came out in the Omaha Reader, saying "It concerns real life, relatively ordinary activities, drawn with the precision of a Norman Rockwell painting." And I feel rewarded every time someone who reads it contacts me and tells me what it meant to them.

Moral of this too long as usual story? I'm not sure the post got too long and I forgot my point-- you tell me. Never give up on your dreams? Write what you want regardless of the market? Just because you can't get an agent doesn't mean you can't get a publisher? Whatever the moral is, I hope that my experience gives encouragement to others who feel rejected by the current publishing climate, perhaps because they're writing something that just isn't selling right now.

(I'm fascinated by other writers' paths to publication, especially when it falls outside the box. If you have a story you want to share, contact me because I'm thinking of doing a series of feature interviews on writers who have gotten published by luck or chance or through nontraditional channels.)

Thursday, May 20, 2010

Prayers of the Psychotic Writer (which would be all of us)

Regardless of where you are in your writerly journey, I bet you have offered up, or shouted out, one of these prayers.

Prayers to begin your journey:

How do I know if I have talent? Stephen King says #1 requirement for a writer is talent. Am I deluding myself? DO I HAVE ANY TALENT?

A novel is 50,000 words? Where will I ever find the time to write 50,000 words? Do publishers accept flash fiction?

What should I write anyway? What's selling these days? I'm not interested in reading YA paranormal romance, how am I supposed to write it?

Prayers to accompany you along the way:

With so many writers out there, how will I ever stand a chance of getting published? Never mind-- I'll write a book and worry about that part later.

I finished my first draft! 57,000 words, typewritten, double-spaced, 305 pages. Now who can I bribe to read it and tell me if it's any good?

How do I find an agent?

Maybe I need a writing class. Should I be taking a writing class?

Are you even listening here? Or are you too busy answering all of Stephanie Meyers' prayers?

Next step:

Holy Crap! How do you write a query letter?

I've been rejected by 95 agents. What now? What now? What now?

Is it my query? Is it my manuscript? Is it my personality or lack thereof?

How does anyone get published? This is too hard! What next? Do I have any talent or am I just kidding myself?

(Don't go back to Step One Prayers! Must not slide backwards, must move forward!)

Finally getting an agent prayer:

Thank you, thank you, thank you, thank you, thank you!!!!!!!!!!!!!!!!!

After two years with said agent and still no publisher:

Did I pick the wrong agent? Was I too eager? Should I have queried for another 6 months and gotten more offers?

Does my agent know what he's doing? Does he have my best interests at heart?

How long can I ride this "I've got an agent" train? I better get a publisher pretty soon or I'll lose all my street cred. Why doesn't anyone want me?

Do I have any talent?

After getting a publishing contract:

thankyouthankyouthankyouthankyouthankyouthankyou!!!!!!!!!!!!!!!!!!!!!!!!

While in editing:

Omigosh this is hard! Will this never end? It's been a year and my editor is still sending me back revisions! Does she even know what she's doing?

Is she trying to change my entire story? Is this the right publisher for me? Does my agent have my best interests at heart?

Will my book EVER see the light of day????

Do I have any talent?

Once the book is published and in author's hands:

thankyouthankyouthankyouthankyouthankyouthankyouthankyou!!!!!!!!!!!!!!!!!!!!

After book has been out a few months:

Will it sell? Will anyone like it? Is this the right font? The cover looks funny. Does the publisher know what they're doing?

Aaargh, did you see that review? I want to kill myself!! How could anyone write that? Don't they even GET IT??? What if everyone hates my book? What if it doesn't sell? Will any publisher ever want to work with me again?

DO I HAVE ANY TALENT??

Best-selling author, on New York Times Besteller List, super-star celebrity:

How will I ever top this one? What should I write next? What if it's not as good? How will I hold my head up if it's a flop?

Will my readers still love me if I try out a different genre? There's so much pressure now, aargh I can't stand it!!

Who will they get to write the film script? What if I don't like it? What if the film flops? And why hasn't Oprah called?

Now, dear readers, where do you find yourself along this journey of anguished prayers? (It's just a thought question: no need to answer if it's too personal!!)




Tuesday, May 18, 2010

I Support the Supportive Bookseller

Borders is the best indie bookseller that isn't indie. They have a policy of supporting local authors, whether published traditionally through a large or small press, or self-published. This means if you, the author, live near a Borders, you can call and ask to speak to the buyer. Give her a brief pitch and summary of your book, asking if she would mind carrying your title in the local section.

The answer will be "Bring it in so I can take a look." Take 5 copies and you'll most likely have a cash sale. Your local Borders will also be happy to schedule a signing. If you do well at the signing, selling 20 books or more, your title will automatically be logged into the Borders.com website and can then be ordered from any Borders brick and mortar store in the country.

I guarantee that, if you're with a small press, or without distribution, you won't get this kind of treatment from Barnes & Noble. And if you're self-published, your local Barnes & Noble won't even talk to you. But as soon as your book is listed with Amazon, then suddenly it shows up on B&N.com, linked from the Amazon site. That still doesn't mean it can be ordered in person from a B & N bookstore. It can't. They'll tell you to go home and get it online from B & N.com, which is another word for Amazon.com.

Where I live in the Salt Lake Valley, there are two indie bookstores and one chain indie. The chain indie will take books carried by a distributor. The indies will take them only on consignment. My publisher will not do consignment, therefore these two bookstores do not stock any of the books published by WiDo. Even though WiDo Publishing is out of Salt Lake City and has titles by authors who live here. I don't call that supportive, do you?

It seems to me that the indie bookseller should be supportive of the indie publisher. Right? Farm Girl is stocked in independent bookstores across the Great Plains states. Yet you can't order it from indiebound.org. It's not listed and doesn't show up in the search bar. If you don't live near one of the stores that carry Farm Girl, you'll have to order it from Amazon. Or from this website.

I am all for supporting the local independent bookstores. But why should I when they don't support me as a local author? My books have been well-reviewed, and Farm Girl does well at every store that carries it. (I'm pretty sure Uncut Diamonds will sell out in Ireland but that's neither here nor there.)

What reason do these local stores have for not doing business with my publishing company and stocking my books on a non-consignment basis? No rational reason that I can see, especially considering that it's stocked by a variety of other indies throughout the country. Just not here. Where I live. Where my children play. Where my husband and I sleep.(Godfather 2 throwback there lol.)

So when I want to buy a book, I drive past Barnes & Noble, I drive past Deseret Book (the local indie chain that said no to both my books), I drive 20 miles to get to Borders in Murray, Utah and there I spend money on books. When I was at the Orem (or was it Provo?), Utah Borders for a signing, I spent $40. If I'm traveling and I want to buy a book, I will seek out the Borders and give them my business.

I would love to support the independent bookseller but instead I support the supportive bookseller. That is Borders. Wherever you live, if there's a Borders, know this: they will support the local author. It's their nationwide policy. Long live Borders.